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It is almost unprecedented for a head of state to publish a memoir while still in office. But Pervez Musharraf is no ordinary head of state. As President of Pakistan since 1999, his is one of the most dangerous jobs in the world, and he continues to play a crucial role in the global war on terror. A one-time supporter of the Taliban, a general who fought in several wars, President Musharraf took a decisive turn against militant Islam in 2001. Since then he has survived two assassination attempts; rooted out militants in his own government; helped direct countless raids against al-Qaeda both in his cities and in the mountains; and tracked Osama bin Laden with technical and human intelligence. IN THE LINE OF FIRE is astonishingly revealing and honest about dozens of topics of intense interest to the world. Among its many revelations: exactly how Pakistani authorities tracked down and smashed three major al-Qaeda control centres in the mountains; how al-Qaeda's many-layered structure was revealed after the assassination attempts; Bin Laden's current position within the al-Qaeda hierarchy; what it has been like to deal with Bush and Blair; how Pakistan and India have avoided nuclear confrontation; and much more. The terrible earthquake of 2005, killing nearly 40,000 Pakistanis, is just one chapter in a life and career that has been filled with danger and drama. The worldwide launch of President Musharraf's memoir promises to be a sensation.

• Sales Rank: #912175 in Books
• Published on: 2006
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x 6.02" w x .0" l, .0 pounds
• Binding: Hardcover
• 368 pages

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[E939.Ebook] PDF Ebook The Vampire Film: From Nosferatu to True Blood Fourth Edition - Updated and Expanded, by Alain Silver, James Ursini

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(Limelight). This newest edition will track the form's evolution from such 1970s reinventions as Count Yorga Vampire and Blacula , The Hunger and Vampire's Kiss in the Eighties, Interview with the Vampire , Bram Stoker's Dracula , and the Blade series in the Nineties, through 30 Days of Night , I Am Legend , and the Underworld series in the first decade of the 21st century. All these films plus celebrated international examples such as Thirst and Let the Right One In and the hit television series Buffy the Vampire Slayer , New Amsterdam , Angel , The Vampire Diaries , and True Blood are covered in this long-awaited, completely revised, expanded, and redesigned fourth edition that follows the vampire figures, both male and female, through the millennium and beyond.

• Sales Rank: #1738936 in eBooks
• Published on: 2011-09-01
• Released on: 2011-09-01
• Format: Kindle eBook

Review
[Silver and Ursini] know how to write about movies... this book must be considered essential reading for the devotee of fantasy film. --Robert C. Cumbow, Movietone News

From the Author
This newest edition of The Vampire Film, now called The Vampire Film from Nosferatu to True Blood, has been updated and the typos from the earlier edition corrected. Professor Lampley, who wrote a review of the earlier edition (The Vampire Film from Nosferatu to Twilight) was of great help in correcting those typos.

About the Author
ALAIN SILVER (Los Angeles) wrote The Samurai Film, a dozen other books with James Ursini or Elizabeth Ward, including Raymond Chandler's Los Angeles, and co-edited six Readers on film noir, horror and gangster films. His articles have appeared in Film Comment, Movie, Wide Angle, anthologies on The Philosophy of Film Noir and Akira Kurosawa and the on-line magazines Images and Senses of Cinema. He has produced a score of independent feature films and forty soundtrack albums. His commentaries may be heard and seen on numerous DVDs discussing the classic period of noir, Raymond Chandler, and the gangster film. JAMES URSINI (Los Angeles) co-wrote The Noir Style, L.A. Noir, More Things than Are Dreamt Of, and director studies of David Lean, Robert Aldrich, and Roger Corman with Alain Silver. His other books include Modern Amazons, Cinema of Obsession, Femme Fatale and monographs on Bogart, Dietrich, Elizabeth Taylor, Mae West, and De Niro for the Taschen Icon series. He has been a producer on features and documentaries, and lectured on filmmaking at UCLA and at other colleges in the Los Angeles area.

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9 of 10 people found the following review helpful.
Great content, but who fired the copy editor?
By Jonathan M. Lampley
THE VAMPIRE FILM is the standard work on the subject, and it has been for more than 35 years. While there are many other good books about vampire movies, this one from Alain Silver and James Ursini is the one serious fans and scholars return to time and again. In fact, I will be teaching a course on vampire films this fall, and I have already selected this title for the required textbook (you're welcome, Alain and James!). The latest edition is current right up through last year (2010) and features the most exhaustive filmography I've ever seen. The illustrations are marvelous, including both publicity stills and posters/lobby cards and other movie promotion materials. There are many illos that I have never seen before, even from the older titles from Bela Lugosi and Hammer Films--and the ability to surprise this old-time horror man with pictures is very, very rare, indeed! Silver and Ursini have many excellent observations about vampires real and reel, and in literature and other media to boot. Of particular interest to me is the discussion of many obscure foreign and direct-to-video titles, especially those released in the last few years.

As great as this book is in many ways, it is not perfect. Evidently the authors had no time or interest in writing about TRUE BLOOD, so they brought in somebody else to contribute an essay on that popular and influential TV show. The essay is more or less okay in terms of being informative, but it is full of smart-ass jokes and snarky comments about the American South where the show is set. Such comments undermine the scholarly tone of the essay, and I personally find the digs at the South and Southerners offensive (calling a white Southerner a "Bubba" is pretty much equivalent to calling a black man a "buck," for those who don't know any better). While Silver and Ursini get away with a few effective light-hearted comments in the text itself, they allow way too many "funny" captions to comment on some of the illustrations, an unfortunate approach that at times recalls Forry Ackerman's worst puns in the heyday of FAMOUS MONSTERS. Some of the discussion of minor films consists of little more than extensive plot summaries, with little in the way of useful critical commentary; moreover,some minor titles get as much attention as major works, even when the minor titles aren't very good or interesting.

These are minor complaints, however, compared to the book's greatest failing: a shameful lack of careful proofreading. I have never seen so many omitted words and just plain wrong words in an established book from major authors working with a serious publisher (and yes, I am counting some of J. Gordon Melton's typo-fests in that number)! For example, the authors switch back and forth between referring to the vampire in NOSFERATU by the character's name and the actor's name (a serious faux pas in film writing). To make matters worse, they then start referring to the vampire as "Orloff," when as any neophyte vampire fan knows the German prints call the character "Orlok"! In fact, while the text misspells the name, the captions get it right! For another example, filmmaker Jeffery Arsenault is referred to as "John" Arsenault in one spot. There are some factual errors that slip in as well, although these tend to be very minor. While I do not wish to come across as a grammar Nazi and am fully aware that a few typos happen to every book (including my own), the fact remains that I almost decided against using the book in class because of these errors. When one spends his days trying to get college students to take proofreading and revision seriously, one tends to get offended when publishers of expensive books fail to engage in basic professionalism.

It is a testament to the high esteem in which I hold this monumental work that I am still going to use it this fall--to say nothing of composing such a lengthy review! I fully realize most Amazon readers don't care about typos and so forth, but in case the authors or the publisher ever read these things, I want them to know about the problems (call me, boys, if you want some help on the 5th edition). In terms of basic information, quality illustrations, and as a resource to complete your quest to see every Dracula movie ever made, THE VAMPIRE FILM is still an essential item for every serious vampire or horror fan's bookshelf.

3 of 3 people found the following review helpful.
Bloody Excellent for Vampire Film Fans
By William Amazzini
I have been a vampire film fan since watching the Lugosi 1931 'DRACULA' back in the early sixties on Television. I first purchased this book back in 1976 when 'COUNT YORGA,VAMPIRE' was part of the new vampire releases and not too many of the European horrors were released in the states as of yet so there was very little devoted to them. Now in its fourth release, Ursini and Silver have delivered the definitive version ever with all color photographs, extensive and expanded filmography spanning the vampire film output from all countries, and errata from the previous releases all corrected. Starting with a chapter on the history of vampires in fact and literature, they explore the origin of the vampire on stage and the film medium. It starts with 'VARNEY THE VAMPIRE' , the screen adaptations of the DRACULA character in all his incarnations including the HAMMER FILM cycle, the legend and films of the Countess Elizabeth Bathory and vampire off shoots from European cinema such as the Filipino vampire, energy vampires and others. We have updated chapters on European Directors Mario Bava and Jean Rollin, extensive coverage on the newer vampire movie series such as 'BLADE', 'UNDERWORLD' and the 'TWILIGHT' saga and they also cover the television series such as the underrated 'FOREVER KNIGHT', 'BLOOD TIES' , 'DARK SHADOWS'(Both series including the two films) all the way up to 'MOONLIGHT', 'TRUE BLOOD' and 'THE VAMPIRE DIARIES'. If you are a vampire lover or horror fan , click the add to cart button and sink your fangs into this excellent film book. You will have a bloody good time.

2 of 2 people found the following review helpful.
Beautiful and Enlightening
By skagAnthropologist
This book has incredible content. It starts with vampire lore and the general history of vampirism in film, literature, and history, and then delves right into a comprehensive and critical look on vampire films. The book looks at a large variety of films from all over the world; the amount of things that they manage to cover and reference astounds me. Beyond just that, there are many beautiful full color photos of both stills from movies and other artifacts relating, such as posters for the film when it debuted. If you are interested in the subject this is a great place for a lot of information!

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[Z589.Ebook] Free Ebook The Phantom Passage, by Paul Halter

Free Ebook The Phantom Passage, by Paul Halter

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In its starred review, Publisher’s Weekly says: “Once again Halter crafts a completely logical and plausible explanation for the fantastic.” It is 1902 and in London’s infamously haunted East End there are rumours of a strange passageway which can swallow up anyone who ventures there at night and make them disappear. Kraken Street can only vanish and reappear, it can also conjure up visions of murders past and predict future ones. Who better to address this astonishing state of affairs than Owen Burns, a dandy aesthete who appreciates murder as a fine art and lends his services to Scotland Yard? This is LRI’s tenth Paul Halter translation. The author, a best-selling novelist in his native France, has written over thirty novels, almost all ‘locked room’ or ‘impossible crime,’ and is widely regarded as the successor to John Dickson Carr. He appeared on BBC Radio 4’s program ‘Miles Jupp in a Locked Room,’ broadcast on May 21, 2012. An earlier novel ‘The Crimson Fog’ was named one of Publisher’s Weekly’s Top Mysteries of 2013. Locked Room International also translates and publishes the works of other international impossible crime authors past and present. For information about signed and lettered editions of all living authors please contact pugmire1@yahoo.com or go to www.mylri.com.

• Sales Rank: #1810310 in Books
• Published on: 2015-07-16
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .38" w x 6.00" l, .55 pounds
• Binding: Paperback
• 168 pages

About the Author
Paul Halter was born in Hagenau, Alsace, in 1956. He pursued technical studies in his youth before joining the French Marines in the hope of seeing the world. Disappointed with the lack of travel, he left the military and, for a while, sold life insurance while augmenting his income playing the guitar in the local dance orchestra. Upon discovering the writings of John Dickson Carr, he gave up the guitar for the pen. He has since written over 30 novels, almost all “locked room,” including La Quatrieme Porte (The Fourth Door,) which won the Prix du Roman Policier in 1987, and Le Brouillard Rouge (The Crimson Fog,) which won the coveted French Prix du Roman d’Aventures in 1988, the prestigious Japanese Honkaku Mystery Award in 2005, and was named as one of the Publisher’s Weekly Top Mysteries of 2013. The Fourth Door and The Crimson Fog are both available in English, as are The Lord of Misrule, The Seven Wonders of Crime, The Demon of Dartmoor, The Seventh Hypothesis, The Tiger’s Head, The Invisible Circle and The Picture from the Past. M. Halter is a frequent contributor to Ellery Queen Mystery Magazine: The Call of the Lorelei, The Tunnel of Death, The Night of the Wolf, The Robber’s Grave, Nausicaa’s Ball, The Gong of Doom, The Man With the Face of Clay, Jacob’s Ladder, The Wolf of Fenrir and more to come. In 2006 his collection of short stories ‘The Night of the Wolf’ appeared in English, to critical acclaim. It was reprinted in 2012 as part of the LRI series For more information and articles about Paul Halter, please go to: http://lockedroominternational.com/

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3 of 3 people found the following review helpful.
A superb weird mystery
By Santosh Iyer
This book is the English translation of the French book La Ruelle Fantome by Paul Halter published in 2005 and features the series character Owen Burns.
Ralph Tierney, a diplomat,arrives distraught at the residence of Owen Burns in London and tells him a very strange story. The diplomat while wandering haphazardly through a labyrinth of dark streets in the night, entered a narrow alley called Kraken Street as per the street sign. He was accosted by a seemingly mad man and directed towards a house further down the alley. Here he saw a blind man selling grapes and a woman in red cloak sitting on the porch. The woman directed him to go to a room on the second floor of the house opposite, totally dark except for an oil lamp above the stairwell. On reaching there, he saw visions through the window. Frightened, he fumbled his way out and saw that the blind man and the woman in red were still there. He walked back up the alley and saw the mad man still there. He reached the main street. After a few steps , he noted that his lighter was missing. Thinking that he might have lost it in the alley, he retraced his steps but found that the narrow alley had vanished completely and in its place was a high brick wall without any openings !
Ralph is not the only person to have such a crazy experience. Previously also, two persons had generally the same experiences; only the visions were different. They also saw the mad man, the blind man and the woman in red. They were also directed to a room on the second floor of the opposite house where they saw visions.They also found that the alley had vanished completely after they came out. Also, prior to that, two other persons had disappeared in that area and it was rumoured that they had been swallowed by Kraken Street.
It is later found that the visions seen pertain to actual past events and in one case, even to a future event.
Can such weird happenings have a rational explanation? Who is/are behind this? What is the motive?
Owen Burns solves the case and gives a rational, ingenious solution. The central trick is really very clever.
The book is suspenseful and virtually unputdownable. A very enjoyable read despite some obvious plot holes.. Highly recommended. Not to be missed by mystery fans.

2 of 2 people found the following review helpful.
Owen Burns is Paul Halter's "Sherlock Holmes."
By Edward J. Cunningham
It's taken me a while to warm up to Owen Burns. Burns is one of two recurring detectives used by French mystery writer and impossible crime specialist Paul Halter. He's a wealthy dilettante who solves crimes as a hobby and believes that murder can be just as much a work of art as a painting or sculpture. The first time I read Burns was in the book The Seven Wonders of Crime where he and sidekick Achilles Stock had to solve a series of murders based on the seven wonders of the ancient world. Many reviewers thought that the murders were hit or miss, but I had less problems with them than with Owen Burns' behavior at the end of the book. For a supposedly brilliant detective, he seemed fairly dumb in the final chapter. However, I became more impressed with him in two of the short stories recounted in The Night of the Wolf. In one story, he solves an impossible murder set in the Old West, and in another he explains how not only is there really a Santa Claus, but that Santa Claus is a killer! Then I went on to read the last Owen Burns book available, which I avoided because it received lukewarm reviews on mystery books blogs, The Lord of Misrule. I found that those reviews were unfair, and that "Misrule" is actually a very good mystery. I found the behavior of the first victim believable (unlike another reviewer), and I was impressed with the presentation of the solution to the mystery, which mimics a famous trick done by Ellery Queen in two different books.

What I came late to realize is that Owen Burns' is Paul Halter's Sherlock Holmes. Of course, Burns is patterned more after the Irish poet and wit Oscar Wilde---if Wilde was a ladies' man---than the famous detective of Baker Street, but I find Burns just as fascinating, but more likable. When Holmes says he's the smartest guy in the room, sometimes you want to punch him in the face. Burns would say the same thing but with a smile and with absolutely no malice. In fact, he's the type of guy who---after hitting on your wife---will have you buying him a drink and laughing with him after he discovers his mistake. There's nothing wrong with Dr. Alan Twist, who is Halter's OTHER series detective, but Twist is almost too unassuming and colorless. Burns lights up the room when he appears, and you miss him when he leaves the scene.

In this story, Owen Burns and his Watson, Achilles Stock, have to solve the mystery of a mysterious street that not only disappears out of thin air, but also has the power to show past and FUTURE murders. The method Paul Halter uses to explain the Kraken Street disappearances is very simple and clever, and I don't hold it against him that I was able to mostly figure it out. (I only have a problem with stories like They Do It With Mirrors: A Miss Marple Mystery (Miss Marple Mysteries Book 6) where the solution is so blatantly obvious that everyone in the book seems like an imbecile for not seeing it sooner.) If there is a weakness, it's that usually the case in impossible crimes that the solution to the "howdunit" inevitably points to "whodunit." That's not the case here, and I think the clues pointing towards the killer are actually very slight. That's why I wrote that I "mostly" got the solution right. I could figure out mostly HOW Kraken Street disappeared, but as to WHO did it, I only had an educated guess, and even then I wasn't so sure.

Still, this was a very good book, and it's almost as if Owen Burns was trying to make up for the ending to "Seven Wonders", because not only does he NOT look like an idiot, but his scheme to trap the murderer is brilliant. I especially like the way he pulls out a red herring from a seemingly abandoned plotline earlier in the book to show how this trap was possible on the very last page. I also think that this might be John Pugmire's best translating work to date. There aren't that many places in this book that make me stumble like "detestable souvenir" did in The Picture from the Past and if I didn't know better, I'd think this was written in English.

Actually, there is one LITTLE problem with this book. It took me two days to finish this book, and most readers will go through it in one. I was sad to finish this book so quickly because now I will have to wait a long time to get a new English translation of a Paul Halter book---or learn French myself so I can read the originals.

0 of 0 people found the following review helpful.
People are disappearing down a street that fades away in the dense London fog
By Patto
Some victims of Kraken Street are never seen again. Others report terrifying experiences. They tell of hallucinatory sensations -- and visions of violent events that took place in the past or come true in the future.

Scotland Yard gets involved. A disappearing street seems too fantastic to be believed, but disappearances have to be investigated.

This is just the kind of case bizarre enough to interest Owen Burns, art critic and amateur detective. He's been helpful to Scotland Yard before. His friend Achilles Stock acts as his Watson. Achilles is tough. His years in rough environments have taught him how to take care of himself in dangerous situations. He's ideal backup for the somewhat effete Burns. Another friend from America joins them in investigating. Amazingly Ralph happened upon Kraken Street just by chance, so he's a witness as well as an assistant.

The London setting is fun coming from a French author. Paul Halter makes the most of the pea-soup fog to create a sense of unreality and threat.

As usual with Halter mysteries, there's a logical explanation for the supernatural happenings. In this case, I found the plot a bit too contrived and convoluted for my taste. The characters are not very developed either. But readers who enjoy fantastic, serpentine mysteries should not be influenced by me. I give the book high marks for atmosphere, plot twists, and eerie effects.

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Most helpful customer reviews

4 of 4 people found the following review helpful.
Useless
By vautch
Nothing here you don't already know. 5 pages of babble with a clever use of a thesaurus. Title is completely misleading bordering on false advertising. A refund is in order for this trash. If zero stars were possible I would give it negative 5

6 of 6 people found the following review helpful.
this is merely a quick overview
By Carey Worth
Really not much to read here. Don't buy this book. Use online help first. This book is not worth your time.

0 of 0 people found the following review helpful.
Rip off
By Amazon Customer
The average person would need a dictionary to be able to understand it. It really is a very basic overview with a lot of big words. It was a waste of time and money.

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