Download Indiana (Oxford World's Classics), by George Sand
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Indiana (Oxford World's Classics), by George Sand
Download Indiana (Oxford World's Classics), by George Sand
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The first novel that George Sand wrote without a collaborator, this is not only a vivid romance, but also an impassioned plea for change in the inequitable French marriage laws of the time, and for a new view of women. It tells the story of a beautiful and innocent young woman, married at sixteen to a much older man. She falls in love with her handsome, frivolous neighbor, but discovers too late that his love is quite different from her own. This new translation, the first since 1900, does full justice to the passion and conviction of Sand's writing, and the introduction fully explores the response to Sand in her own time as well as contemporary feminist treatments.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Sales Rank: #375060 in Books
- Published on: 2008-08-01
- Original language: English
- Number of items: 1
- Dimensions: 5.00" h x .70" w x 7.60" l, .49 pounds
- Binding: Paperback
- 320 pages
Language Notes
Text: English (translation)
Original Language: French
About the Author
Sylvia Raphael has translated Balzac's Eugenie Grandet (1990) and Cousin Bette (1992) for World's Classics. Naomi Schor is a well-known expert in both Romance Languages/Literature and in European feminism. She is William Hanes Wannamaker Professor of Romance Studies and Literature at Duke University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
but still fun. One reads it with pleasure
By Amazon Customer
The first book written by George Sand. Predictable, but still fun. One reads it with pleasure, no questions. Recommended.
28 of 29 people found the following review helpful.
One of the largely forgotten great novels
By ninjasuperstar
George Sand's Indiana dramatizes and explores a wide variety of concerns in the nineteenth century with a brilliance one rarely finds in a first novel: Arranged marriages, what it means to be a Creole, colonialism and plantation profiteering, slavery, the beginnings of the deterioration of Old Europe, and the rise of the businessman. In terms of narrative style, this may be one of the most unique novels I have read. The use of narrator to facilitate multiple endings is ingenious as well as baffling. Once you get to the end and discover who the narrator is or could be, you will likely want to re-read the novel, and voila! It's like experiencing the novel for the first time. It is a very rare talent indeed to create one novel for a first reading and a second novel for a second reading. It's a mystery to me how Sand has lost much of her notoriety. This novel is far superior than most you will find anywhere and in any language.
13 of 13 people found the following review helpful.
An extraordinary first novel
By A. G. Plumb
I recently read a biography of George Sand and it stimulated an interest in reading some of her novels. It wasn't easy to find some, but I did manage to buy 'Indiana' and 'Mauprat' through a second-hand dealer. 'Indiana' is an interesting story of relationships especially between husbands and wives, men and women, nobility and commoners, family and strangers. The central marraige is uncharacteristic of modern Western society in that an older wealthy man has married a young woman for the status of it - he is no more than her friend, and often not even that. But there are many ways in which marraiges can fail either the woman or the man in modern Western society and consequently, for me, the symptoms of what goes on in this novel - even if not the causes - are current in modern society.
Sand's story is engaging and generally well paced. It does seem a bit like a soap opera sometimes. It also rushes to an unsatisfactory ending - a bit like the end of 'Well of Loneliness', which appalled me. But then Sand has a surprise for me - although I have a sneaking feeling that it might be an afterthought, a rewrite. What is distinctive about Sand's writing is her ability to create a visionary scene - like the one where Raymon rails against the picture of Indiana's cousin Ralph hanging in Indiana's bedroom (Raymon is there with his lover of the time - Indiana's serving girl Noun). And then there is the extraordinary scene where Indiana almost drowns in the river only to be rescued by Ralph - we see the world transform itself from Indiana's perspective in the most unsettling way.
I enjoyed this novel immensely and look forward to reading more of Sand's writing.
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